European Union regulators accused Apple on Friday of violating the bloc’s antitrust laws, alleging the iPhone maker distorts competition for music streaming by imposing unfair rules for rival services in its App Store.
CIRA, the .ca registry, has filed an intervention in a Canadian pirate site blocking appeal, along with a Canadian public interest technology law clinic, according to a report in TorrentFreak this week.
A new ‘piracy landscape’ paper commissioned by the US Patent and Trademark Office provides a detailed overview of how online piracy should be tackled. Combining the results of dozens of peer-reviewed academic studies, the authors conclude that effective enforcement measures, paired with more attractive legal options, will yield the best results. A carrot and stick approach.
Stay-at-home Britain appears to be becoming a nation of streaming pirates, with traffic to illegal movie and TV sites surging since lockdown measures were introduced.Continue reading UK traffic to film and TV piracy sites up nearly 60% in lockdown
People staying at home due to the coronavirus pandemic appear to be listening to more radio rather than music apps, figures suggest.
Global, which owns Capital FM and talk station LBC, said online radio listening had risen by 15%.
The BBC said streaming of its radio stations had risen 18% since last week.
Meanwhile, data from two US analytics companies suggested use of music-streaming apps such as Spotify had dipped by about 8%.
More Netflix. Less ESPN. The pandemic means a greater number of television viewers in the short term, but signals a potential threat to the ecosystem protecting the industry.
It happened around the world, and now it’s happening in the United States: The more people stay home to avoid the coronavirus pandemic, the more they find themselves glued to their screens.
In South Korea, as cases spiked, television viewership shot up 17 percent, according to Nielsen. Last month in Italy, the size of the TV audience increased 6.5 percent, with a 12 percent rise in hard-hit Lombardy.
Time Spent Streaming Spiked 20% Worldwide This Past Weekend
For years, TV executives have fretted there is too much TV. Now, with the coronavirus looming large, they are worried there might not be enough. Because of the pandemic, streaming surged this past weekend, according to Wurl Inc., a company that delivers video and advertising to connected TVs. The amount of time people spent streaming spiked by more than 20% worldwide, including more than 40% in Austria and Spain.
Microsoft paid millions to lure a top video game streaming star. Facebook signed an exclusive streaming deal with the largest e-sports company in the world. Twitter streamed Fortnite’s collapse into a black hole.
Despite their efforts to grab a larger slice of the video game streaming arena, none has made a dent in the power of the market leader, Twitch.
New research published by the European Union Intellectual Property Office shows that, in the EU, pirate IPTV services generate close to a billion euros in annual revenue. Illegal IPTV services are most popular in the Netherlands and Sweden, while UK subscribers bring in the most money.
Every three decades, or roughly once a generation, Hollywood experiences a seismic shift. The transition from silent films to talkies in the 1920s. The rise of broadcast television in the 1950s. The raucous “I Want My MTV” cable boom of the 1980s.
It is happening again. The long-promised streaming revolution — the next great leap in how the world gets its entertainment — is finally here.
Streaming services, of course, have been challenging the Hollywood status quo for years. Netflix began streaming movies and television shows in 2007 and has grown into a giant, spending $12 billion on programming this year to entertain 166 million subscribers worldwide. There are 271 online video services available in the United States, according to the research firm Parks Associates, one for seemingly every predilection — Pongalo for telenovelas, AeroCinema for aviation documentaries, Shudder for horror movies, Horse Lifestyle for equine-themed content. (Offerings include a series called “Marvin the Tap Dancing Horse.”)
A new survey conducted by Broadband Genie shows that piracy will surge if content is spread out across more streaming subscription services. In part due to increasing costs, the number of UK streaming subscribers who “pirate” on the side is set to double.
When Disney announced that it would launch its own streaming service, two years ago, some noted that this would keep piracy relevant.
People had just become used to having access to a broad movie and TV library in one or two places, and any increased fragmentation appeared to be a step backward.